![]() The domino effect that follows is reflected in unending Twitter threads and extensive trolling. ![]() The difference largely is that social networking platforms now provide a space for individuals to express their discontent and reach a large audience. However, if we look back at the history of the Indian music industry, the culture of remixing old songs is nothing new or revolutionary. The issue became a national subject over the past few weeks and even mainstream media channels covered the details. What further irked the public was the fact that Pathak had no legal rights over her own track and hence could not stop the record label from recreating the famous song. The remixed version was not well received by the public as Pathak herself expressed disapproval on her social media platform as well as in multiple interviews. One such song was ‘ Maine Payal Hai Chankai’, which was recently recreated by popular singer Neha Kakkar. Anyone who grew up in India during the 90s or early 2000s knows about singer Falguni Pathak, who ruled the era with gems that resonated with younger generations while still utilizing relatively traditional Indian beats.ĭecked in androgynous clothing, the singer was deemed as the ‘Dandiya Queen’ and anytime one switched on the radio her hit songs would play on a loop. A recent controversy in the music industry has seen online discourse following similar themes. ![]() With such immense cultural baggage, the same songs over the years become relics, to be enjoyed but not tampered with. Moreover, these tracks are also reminiscent of days when cassettes, CDs and walkmans were the significant mediums through which music was played. They shaped our initial love for music and formed a basis for our growing preferences. There is something about the songs and albums from our childhoods that over the years become small mementos of the good times.
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